Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester made "Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro" available on October 21, 2010. With Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #24. Based on our statistics, Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Conclusion in B flat major / Si bémol majeur / B-dur: Allegro - Adagio - Allegro by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: I. Prélude | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Major | 2 | 12B | 126 BPM | ||
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 65 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: I. Chorus "Ich fahre auf zu meinem Vater" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Viola Blache, Sebastian Myrus | E Major | 3 | 12B | 94 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": II. Allemanda. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 99 BPM | ||
Trumpet Sonata No. 71 | Johann Christoph Pezel, Tormod Dalen, Niklas Eklund, Knut Johannessen, Mats Klingfors, Marc Ullrich | D♭ Major | 2 | 3B | 91 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: IV. Allegro | Johann Friedrich Fasch, London Baroque | B Minor | 2 | 10A | 115 BPM | ||
Trio Sonata in F Major, Op. 1, No. 5, RV 69: III. Corrente (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM |