"Trio Sonata in F Major, Op. 1, No. 5, RV 69: III. Corrente (Allegro)" by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque was released on August 31, 2000. With Trio Sonata in F Major, Op. 1, No. 5, RV 69: III. Corrente (Allegro) being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Trio Sonatas, Op. 1 by Antonio Vivaldi, London Baroque, Charles Medlam. The song's track number on the album is #21 out of 62 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Trio Sonata in F Major, Op. 1, No. 5, RV 69: III. Corrente (Allegro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Trio Sonata in F Major, Op. 1, No. 5, RV 69: III. Corrente (Allegro) by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trio Sonata in F Major, Op. 1, No. 5, RV 69: III. Corrente (Allegro) being at 79 テンポ, the half-time would be 40 テンポ with a double-time of 158 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM | ||
Sonata in E Minor: IV. Adagio | Johann Rosenmüller, London Baroque | F♯ Major | 1 | 2B | 119 BPM | ||
Concerto No 3 in B minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B♭ Minor | 3 | 3A | 132 BPM | ||
Trios pour le coucher du Roi: Menuet | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 84 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 4: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 2 | 6B | 125 BPM | ||
Sonata À Solo Facto Per Monsieur Pisendel Del Vivaldi In C Minor, RV 6 | Antonio Vivaldi, La Serenissima, Adrian Chandler, violin | G Minor | 3 | 6A | 117 BPM | ||
Trio Sonata No. 2 in G Major: I. Largo | Thomas Arne, London Baroque | F♯ Major | 1 | 2B | 84 BPM | ||
Concerto Grosso in G Minor, Op. 3, No. 10: III. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 125 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: I. Adagio sostenuto | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | A Major | 2 | 11B | 118 BPM |