Marin Marais, Mieneke van der Velden, Glen Wilson made "Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 98. Courante" available on January 1, 2006. With Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 98. Courante being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Mieneke van der Velden, Glen Wilson's "Marais: Pièces de viole" album is number 3 out of 22. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 98. Courante's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 98. Courante by Marin Marais, Mieneke van der Velden, Glen Wilson to be Allegro (fast, quick, and bright) because the track has a tempo of 124 テンポ, a half-time of 62テンポ, and a double-time of 248 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | D♭ Major | 2 | 3B | 120 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
III. Le tendre: (Ouverture) Le tendre - Sarabande du tendre - Gavote La ferme - Menuet du tendre | Monsieur de Sainte-Colombe, Les Voix Humaines | A♭ Minor | 1 | 1A | 73 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Fantasia in C Minor: Fantasy in C Minor | Silvius Leopold Weiss, Jakob Lindberg | B♭ Minor | 0 | 3A | 182 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
Psyche: Symphony for the descending of Venus | Matthew Locke, Ensemble Leviathan, Lucile Tessier | C Major | 2 | 8B | 75 BPM | ||
[Suite en ré majeur]: IV. Gigue (No. 50) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 92 BPM | ||
XLIV. Tombeau des regrets: Tombeau Les Regrets - Quarrillon - Apel de Charon - Les pleurs - Joye des Elizées - Reprise: Les pleurs | Monsieur de Sainte-Colombe, Les Voix Humaines | F Minor | 0 | 4A | 79 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM |