Dmitri Shostakovich, Tatiana Nikolayeva made "24 Preludes, Op. 34: No. 20 in C Minor. Allegretto furioso" available on September 1, 1992. With 24 Preludes, Op. 34: No. 20 in C Minor. Allegretto furioso being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Shostakovich: 3 Fantastic Dances; 24 Preludes Op. 34; Piano Sonata No 2". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. 24 Preludes, Op. 34: No. 20 in C Minor. Allegretto furioso is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 24 Preludes, Op. 34: No. 20 in C Minor. Allegretto furioso by Dmitri Shostakovich, Tatiana Nikolayeva having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante | Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit | A♭ Major | 5 | 4B | 78 BPM | ||
24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major | Dmitri Shostakovich, Tatiana Nikolayeva | A Major | 0 | 11B | 85 BPM | ||
13 Préludes, Op. 32: No. 8. Vivo in A Minor | Sergei Rachmaninoff, Nikolai Lugansky | D♭ Major | 1 | 3B | 67 BPM | ||
Aria variata (alla maniera italiana) in A Minor, BWV 989: Variation V. Un poco allegro | Johann Sebastian Bach, Víkingur Ólafsson | E Major | 3 | 12B | 105 BPM | ||
Sonatina in G Major, Op. 36 No. 5: II. Allegretto moderato 'Original Swiss Air' | Muzio Clementi, Howard Shelley | C Major | 0 | 8B | 70 BPM | ||
21 Hungarian Dances, WoO 1: No. 18 in D Major: Molto vivace (Arr. for Piano Duet) | Johannes Brahms, Katia Labèque, Marielle Labèque | E Minor | 0 | 9A | 86 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): IV. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | D♭ Major | 0 | 3B | 88 BPM |