Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit made "Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante" available on January 1, 1981. Since Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Saint-Saëns: Piano Concertos Nos. 1-5". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Piano Concerto No. 3 in E-Flat Major, Op. 29: 2. Andante by Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, David Parry, London Philharmonic Orchestra | G Minor | 3 | 6A | 117 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B Minor | 1 | 10A | 79 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | E Major | 5 | 12B | 134 BPM | ||
Turandot / Act 1: "Popoli di Pekino!" | Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
String Quartet in E Minor, Op. 44, No. 2, MWV R26: II. Scherzo. Allegro di molto | Felix Mendelssohn, Emerson String Quartet | A♭ Major | 1 | 4B | 96 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Serenade in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Wolfgang Amadeus Mozart, David Parry, London Philharmonic Orchestra | G Major | 3 | 9B | 138 BPM | ||
Vaughan Williams: 5 Variants of "Dives and Lazarus": Theme. Adagio | Ralph Vaughan Williams, Vernon Handley, London Philharmonic Orchestra | B Minor | 0 | 10A | 81 BPM | ||
Sonata For Arpeggione And Piano In A Minor, D.821: 3. Allegretto | Franz Schubert, Martha Argerich, Mischa Maisky | A Major | 0 | 11B | 128 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM |