"Swan Lake, Op. 20, TH 12, Act IV, No. 27: Danses des petits cygnes (Moderato)" by Pyotr Ilyich Tchaikovsky, Neeme Järvi, Bergen Philharmonic Orchestra had its release date on October 1, 2013. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Swan Lake, Op. 20, TH 12, Act IV, No. 27: Danses des petits cygnes (Moderato) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, TH 12, Act IV, No. 27: Danses des petits cygnes (Moderato) by Pyotr Ilyich Tchaikovsky, Neeme Järvi, Bergen Philharmonic Orchestra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op. 20, Act II, No. 12: Scène (Allegro - Moderato assai quasi andante) | Pyotr Ilyich Tchaikovsky, Neeme Järvi, Bergen Philharmonic Orchestra | F♯ Minor | 1 | 11A | 118 BPM | ||
Ave Maria | Giulio Caccini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | E Minor | 1 | 9A | 170 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Le Corsaire: Coda | Orchestre National du Théâtre du Bolchoï | B♭ Major | 2 | 6B | 110 BPM | ||
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Løvenskiold: La Sylphide, Act 1: Introduction | Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | C Major | 0 | 8B | 77 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
Mele Kalikimaka | Geoff Castellucci, The American Sirens | F Minor | 4 | 4A | 100 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM |