On September 30, 2016, the song "Dancing Folk: I. First Movement" was released by Oliver Davis, Kerenza Peacock, Paul Bateman. The duration of Dancing Folk: I. First Movement is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Dancing Folk: I. First Movement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Oliver Davis: Dance". In this album, this song's track order is #12. Based on our statistics, Dancing Folk: I. First Movement's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dancing Folk: I. First Movement by Oliver Davis, Kerenza Peacock, Paul Bateman having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
What Is the Love That Dare Not Speak It's Name? | Debbie Wiseman, Arthur Sullivan | F Major | 1 | 7B | 92 BPM | ||
Adagio For Strings, Op.11 | Samuel Barber, London Symphony Orchestra, Kristjan Järvi | B♭ Minor | 1 | 3A | 77 BPM | ||
Poem I | Gillian Pereira, Sally Greenaway | G Major | 2 | 9B | 79 BPM | ||
Lady Caliph: Nocturne | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | A Minor | 3 | 8A | 90 BPM | ||
Sisask : Starry Sky Cycle Op.52 - Pleiades : 17. II Maja | Urmas Sisask, Lauri Väinmaa | F Major | 0 | 7B | 69 BPM | ||
Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic | B♭ Major | 1 | 6B | 78 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM |