"Karelia, Op. 11 : III. Alla marcia" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko was released on January 1, 2012. With this song being about 5 minutes long, at 5:14, "Karelia, Op. 11 : III. Alla marcia" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 9 in Finlandia by Saint Petersburg Radio and TV Symphony Orchestra. Based on our statistics, Karelia, Op. 11 : III. Alla marcia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Karelia, Op. 11 : III. Alla marcia by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegro appassionato for Cello and Orchestra, Op. 43 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Minor | 1 | 9A | 67 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scherzo Polka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 82 BPM | ||
Schumann: Waldszenen, Op. 82: No. 7, Vogel als Prophet | Robert Schumann, Cyprien Katsaris | E Major | 0 | 12B | 81 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Noches en los jardines de Espana (Nights in the Gardens of Spain), Symphonic Impressions for Piano and Orchestra : III. En los jairdins de la Sierra de Cordoba | Tbilisi Symphony Orchestra, Jansug Kakhidze, Alessandro De Luca | G Major | 1 | 9B | 142 BPM |