François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants's 'Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: III. Lamed' came out on January 1, 1997. The duration of Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: III. Lamed is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: III. Lamed's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 22 in Couperin : Leçons de Ténèbres by François Couperin, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: III. Lamed is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: III. Lamed by François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Valentina Igoshina | B♭ Minor | 0 | 3A | 73 BPM | ||
La Logivière (5e ordre) | François Couperin, Alexandre Tharaud | A Major | 1 | 11B | 124 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Mandolin Concerto in D Major: II. Andantino | Emanuele Barbella, Avi Avital, Il Giardino Armonico, Giovanni Antonini | F Major | 2 | 7B | 95 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM |