"Ein Heldenleben, Op. 40, TrV 190: VIII. Des Helden Vollendung" by Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare was released on March 15, 2024. With this song being about 5 minutes long, at 4:56, "Ein Heldenleben, Op. 40, TrV 190: VIII. Des Helden Vollendung" by Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Strauss: Ein Heldenleben - Mahler: Rückert-Lieder". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Ein Heldenleben, Op. 40, TrV 190: VIII. Des Helden Vollendung is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ein Heldenleben, Op. 40, TrV 190: VIII. Des Helden Vollendung by Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die schweigsame Frau, Op. 80, TrV 265: Euer Liebden haben, ich fürchte, schlecht geschlafen | Richard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Hermann Prey, Hans Hotter | F♯ Major | 2 | 2B | 89 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Tippett: Concerto for Double String Orchestra: II. Adagio cantabile | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 76 BPM | ||
Violin Concerto “Adrano”: II. Cadenza - senza misura | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | E Major | 2 | 12B | 179 BPM | ||
Symphony No. 1, Op. 13: III. Vif et vigoureux | George Enescu, Orchestre National De France, Cristian Măcelaru | B♭ Minor | 0 | 3A | 128 BPM | ||
Suite italienne (Arranged for String Orchestra, Harpsichord and Violin by Andreas Fleck): III. Tarantella. Vivace | Igor Stravinsky, Jonian Ilias Kadesha, CHAARTS Chamber Artists | F Major | 4 | 7B | 107 BPM | ||
Elektra: Xxvi. Agamemnon hört dich! | Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM |