"Elektra: Xxvi. Agamemnon hört dich!" by Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler was released on March 3, 2023. The duration of Elektra: Xxvi. Agamemnon hört dich! is about 3 minutes long, at 3:08. Based on our data, "Elektra: Xxvi. Agamemnon hört dich!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Richard Strauss: Elektra". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Elektra: Xxvi. Agamemnon hört dich! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elektra: Xxvi. Agamemnon hört dich! by Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino, Act IV, Scene II: Non imprecare; umiliati | Giuseppe Verdi, Riccardo Zanellato, Dinara Alieva, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A♭ Major | 2 | 4B | 87 BPM | ||
Massenet: Don Quichotte, Act 1: "Vous êtes, mon seigneur" (Dulcinée, Pedro, Garcias, Rodriguez, Juan) | Jules Massenet, Teresa Berganza, Christian Papis, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Strauss: Der Rosenkavalier, Op. 59, TrV 227, Act 1: "Die Zeit, die ist ein sonderbar Ding" (Marschallin, Octavian) | Hugo von Hofmannsthal, Richard Strauss, Leonie Rysanek, Wilhelm Schüchter, Berliner Philharmoniker | E Major | 2 | 12B | 129 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
La forza del destino, Act I: Me pellegrina ed orfana | Giuseppe Verdi, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Major | 3 | 8B | 108 BPM | ||
The Bartered Bride: ACT II, Kecal Nuže, milý chasníku | Bedřich Smetana, Jozef Benci, BBC Symphony Orchestra, Jiří Bělohlávek | G Major | 1 | 9B | 112 BPM | ||
Strauss II, J: La chauve-souris, Act 2: Csárdás. "Ô lointain séjour" (Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 3 | 10B | 136 BPM | ||
Mädchenblumen, Op. 22, TrV 153: No. 4, Wasserrose | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM |