Traditional, Lester Lynch, Victor Simonson made "Joshua Fought the Battle Of Jericho (arr. L. Lynch and V. Simonson for voice and piano)" available on February 3, 2017. The duration of Joshua Fought the Battle Of Jericho (arr. L. Lynch and V. Simonson for voice and piano) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Joshua Fought the Battle Of Jericho (arr. L. Lynch and V. Simonson for voice and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "On My Journey Now: Spirituals & Hymns". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Joshua Fought the Battle Of Jericho (arr. L. Lynch and V. Simonson for voice and piano)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Joshua Fought the Battle Of Jericho (arr. L. Lynch and V. Simonson for voice and piano) by Traditional, Lester Lynch, Victor Simonson having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Libera me Responsorium (Trauerliturgie) | Choir Of St. Abuscus | C Major | 2 | 8B | 69 BPM | ||
Are mou rindineddha | Christina Pluhar, Traditional, L'Arpeggiata, Katerina Papadopoulou | B Minor | 2 | 10A | 81 BPM | ||
2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem | Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher | D Major | 2 | 10B | 177 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Hymn of the Cherubim (Excerpt 1) | The Russian State Symphony Cappella | B Major | 2 | 1B | 82 BPM | ||
O Salve Regina | Alice Tegner, Lund Korallerna Girls Choir, Lund Cantores Cathedrales, Eva Svanholm Bohlin | G Minor | 1 | 6A | 82 BPM | ||
The Noble Joseph | Men's Chamber Choir of Sofia | C Major | 3 | 8B | 80 BPM | ||
Have Mercy Upon Me, O God, After Thy Great Goodness (Psalm 51) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 1 | 9B | 75 BPM | ||
Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | E Major | 1 | 12B | 76 BPM | ||
Ciaccona (I) | L'Arpeggiata, Christina Pluhar | C Major | 2 | 8B | 101 BPM |