Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher's '2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem' came out on October 1, 2009. The duration of 2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. 2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Choral Concert: Camerata Musica Limburg - Mendelssohn, Felix / Cornelius, P. / Schubert, F. (Sacred Works for Male Choir) by Camerata Musica Limburg, Jan Schumacher. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of 2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem by Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher is Presto (very, very fast), since this song has a tempo of 177 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Weltliche A-Cappella-Gesänge, Secular A-Cappella Choral Works Op. 42: 1. Abenständchen | Chamber Choir Of Europe, Jürgen Meier, Johannes Brahms, Reinhard Geller, Nicol Matt | G Major | 2 | 9B | 81 BPM | ||
Verleih' uns Frieden, MWV A11 | Felix Mendelssohn, Bavarian Radio Chorus, Munich Radio Orchestra, Howard Arman | E♭ Major | 1 | 5B | 77 BPM | ||
The Call | Ralph Vaughan Williams, Oliver Lepage-Dean | E♭ Major | 0 | 5B | 107 BPM | ||
Three Shakespeare Songs: I. Full Fathom Five | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | D Minor | 1 | 7A | 129 BPM | ||
Mouton: Nesciens Mater | The Tallis Scholars, Peter Phillips | F Major | 2 | 7B | 82 BPM | ||
The Hope of Loving: No. 2, Wild Forces | Jake Runestad, Conspirare, Craig Hella Johnson | G Major | 2 | 9B | 116 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
All That Hath Life And Breath Praise Ye The Lord! | The University Of Utah Singers | G Minor | 2 | 6A | 131 BPM | ||
A Prayer | Jason Max Ferdinand Singers, Jason Max Ferdinand, Thomas Allen | F Minor | 1 | 4A | 94 BPM |