Carl Nielsen, Markus Becker, Albrecht Mayer's 'Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando)' came out on February 1, 1999. The duration of Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Albrecht Mayer's "Music for Oboe and Piano" album is number 9 out of 14. Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) by Carl Nielsen, Markus Becker, Albrecht Mayer to be Larghetto (rather broadly) because the track has a tempo of 64 テンポ, a half-time of 32テンポ, and a double-time of 128 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Antiche danze ed arie per liuto, Suite III, P. 172: 1. Italiana. Andantino | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 75 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Symphony No. 4, Op. 29, FS 76 "The Inextinguishable": IV. Allegro | Carl Nielsen, Sir Colin Davis, London Symphony Orchestra | E Major | 2 | 12B | 103 BPM | ||
Pulcinella Suite: I. Sinfonia | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | G Major | 0 | 9B | 91 BPM |