Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando)

Carl Nielsen, Markus Becker, Albrecht Mayer
Music for Oboe and Piano
2:30 1999年2月1日
テンポ
64
キー
D Minor
キャメロットミュージックキー
7A

リンクを埋め込む

共有

Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) - Carl Nielsen, Markus Becker, Albrecht Mayer 情報

音響性
97%
ダンサビリティ
42%
エネルギー
10%
手段性
87%
活気
5%
ラウドネス
58%
話し言葉
5%
価数
31%
人気
ラウドネス
-25.33 dB

まとめ

Carl Nielsen, Markus Becker, Albrecht Mayer's 'Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando)' came out on February 1, 1999. The duration of Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Albrecht Mayer's "Music for Oboe and Piano" album is number 9 out of 14. Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) テンポ

We consider the tempo marking of Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) by Carl Nielsen, Markus Becker, Albrecht Mayer to be Larghetto (rather broadly) because the track has a tempo of 64 テンポ, a half-time of 32テンポ, and a double-time of 128 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: II. Humoresque (Allegretto scherzando) キー

D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro by Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisPiano Concerto No. 2 Op. 102 in F Major: III. AllegroDmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisC Major48B150 BPM
Prélude à l'après-midi d'un faune, L. 86 by Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanPrélude à l'après-midi d'un faune, L. 86Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von KarajanA♭ Minor01A84 BPM
Sibelius: Finlandia, Op. 26 by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraSibelius: Finlandia, Op. 26Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraA♭ Major14B150 BPM
Antiche danze ed arie per liuto, Suite III, P. 172: 1. Italiana. Andantino by Ottorino Respighi, Berliner Philharmoniker, Herbert von KarajanAntiche danze ed arie per liuto, Suite III, P. 172: 1. Italiana. AndantinoOttorino Respighi, Berliner Philharmoniker, Herbert von KarajanF Minor14A75 BPM
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanPeer Gynt Suite No.2, Op.55: 3. Peer Gynt's ReturnEdvard Grieg, Berliner Philharmoniker, Herbert von KarajanB Minor110A69 BPM
Symphony in F Major, Op. 8, Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brioGustav Holst, Ulster Orchestra, Joann FallettaF Major17B104 BPM
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale by Jean Sibelius, Berliner Philharmoniker, Herbert von KarajanPelléas et Mélisande, (Suite), Op. 46: VI. PastoraleJean Sibelius, Berliner Philharmoniker, Herbert von KarajanA♭ Major04B182 BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): KyrieJoseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen BurdickB♭ Major26B99 BPM
Symphony No. 4, Op. 29, FS 76 Symphony No. 4, Op. 29, FS 76 "The Inextinguishable": IV. AllegroCarl Nielsen, Sir Colin Davis, London Symphony OrchestraE Major212B103 BPM
Pulcinella Suite: I. Sinfonia by Igor Stravinsky, Tapiola Sinfonietta, Masaaki SuzukiPulcinella Suite: I. SinfoniaIgor Stravinsky, Tapiola Sinfonietta, Masaaki SuzukiG Major09B91 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records