"Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro)" by Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli was released on 1967. The duration of Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini: Madam Butterfly". In this album, this song's track order is #8. In terms of popularity, Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (1986 - Remaster), Act I: Vieni, amor mio! (Pinkerton/Butterfly/Goro) by Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Piero de Palma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 2: Per l'ex inferno! | Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | G Major | 5 | 9B | 113 BPM | ||
Puccini: Madama Butterfly, Act 1: "Auguri molti" (Il Commissario, Pinkerton, Sharpless, Ufficiale, Cugina, Madre, Zia, Chorus) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Fabio Maria Capitanucci, Fabrizio Di Bernardo, Jonas Kaufmann, Maria Chiara Chizzoni, Massimo Simeoli, Roberta De Nicola, Simonetta Pelacchi, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 120 BPM | ||
La traviata, Act I: Valzer: Che è ciò | Giuseppe Verdi, Renata Scotto, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 1 | 4B | 131 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM | ||
L'Africaine / Act 4: "Pays Merveilleux ... O Paradis" | Giacomo Meyerbeer, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | F♯ Major | 2 | 2B | 66 BPM | ||
Turandot / Act 1: Indietro, cani! (Coro, Liù) | Giacomo Puccini, Barbara Hendricks, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D Major | 3 | 10B | 179 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Povera Butterfly | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | C Major | 1 | 8B | 60 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Svanir le voci!" | Vincenzo Bellini, John Osborn, Reinaldo Macias, Orchestra La Scintilla, Giovanni Antonini | B Major | 1 | 1B | 78 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM |