"Turandot / Act 1: Indietro, cani! (Coro, Liù)" by Giacomo Puccini, Barbara Hendricks, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus was released on January 1, 1982. With Turandot / Act 1: Indietro, cani! (Coro, Liù) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 55 in the song's album "Puccini: Turandot". In this album, this song's track order is #2. The popularity of Turandot / Act 1: Indietro, cani! (Coro, Liù) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 1: Indietro, cani! (Coro, Liù) by Giacomo Puccini, Barbara Hendricks, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus having a テンポ of 179 with a half-time of 90 テンポ and a double-time of 358 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Cessa di più resistere - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 109 BPM | ||
Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
Rigoletto / Act 2: Ella mi fu rapita! | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | G Minor | 2 | 6A | 97 BPM | ||
Madame Butterfly - Grosser Querschnitt: Das ist sicher ein Kriegsschiff | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | F♯ Minor | 1 | 11A | 178 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
Gianni Schicchi: "Era uguale la voce?" | Giacomo Puccini, Leo Nucci, Mirella Freni, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 2 | 3B | 96 BPM | ||
Don Pasquale, Act I Quinta Scena: Mi volete fiera? (Norina/Malatesta) | Gaetano Donizetti, Leo Nucci/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | A♭ Major | 2 | 4B | 130 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
Puccini: Madama Butterfly, Act 1: "Quale amania vi prende!" (Pinkerton, Sharpless, Goro, Chorus) | Giacomo Puccini, Nicolai Gedda, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | B♭ Major | 3 | 6B | 86 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM |