Johann Strauss I, Mariss Jansons, Wiener Philharmoniker made "Sperl-Galopp, Op. 42" available on January 2, 2012. The duration of Sperl-Galopp, Op. 42 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Sperl-Galopp, Op. 42's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "New Year's Concert 2012 / Neujahrskonzert 2012". In this album, this song's track order is #11. Based on our statistics, Sperl-Galopp, Op. 42's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sperl-Galopp, Op. 42 by Johann Strauss I, Mariss Jansons, Wiener Philharmoniker having a テンポ of 144 with a half-time of 72 テンポ and a double-time of 288 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lortzing: Zar und Zimmermann, Act III: 'Holzschuhtanz' | Albert Lortzing, Berliner Symphoniker, Berislav Klobucar | E♭ Major | 1 | 5B | 91 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Wilhelm Tell Galopp, Op. 29b | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | E Major | 6 | 12B | 149 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 1 in E major, RV 269, "La Primavera". I. Allegro | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | E Major | 1 | 12B | 102 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
The Barber of Seville: "Largo al factotum" - Instrumental | Gioachino Rossini, Andre Kostelanetz & His Orchestra | C Major | 5 | 8B | 115 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale - Allegro | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | E♭ Major | 2 | 5B | 138 BPM |