Ahmet Adnan Saygun, Zeynep Ucbasaran's '10 Sketches on Aksak Rhythms, Op. 58: Sketch No. 2' had a release date set for April 29, 2008. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "Saygun: 12 Preludes On Aksak Rhythms / 10 Sketches On Aksak Rhythms / Piano Sonatina". In this album, this song's track order is #24. In terms of popularity, 10 Sketches on Aksak Rhythms, Op. 58: Sketch No. 2 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 10 Sketches on Aksak Rhythms, Op. 58: Sketch No. 2 by Ahmet Adnan Saygun, Zeynep Ucbasaran having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Silent Dreams | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | C Major | 0 | 8B | 70 BPM | ||
Variations on an Original Theme Enigma, Op. 36: III. Variation II - H. D. S. - P. | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | D Major | 3 | 10B | 156 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante | Dmitri Shostakovich, Konstantin Scherbakov | G Major | 0 | 9B | 100 BPM | ||
Vattendroppar, JS 216 | Jean Sibelius, Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
Hıçkırıklar | Can Atilla | A Minor | 2 | 8A | 138 BPM | ||
Vivaldi İstanbul'da | Can Atilla | D Minor | 4 | 7A | 91 BPM | ||
Sonatina, Op.15, Horon, Prestissimo | Ahmet Adnan Saygun, Hande Dalkılıç | E Major | 2 | 12B | 105 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM |