"24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante" by Dmitri Shostakovich, Konstantin Scherbakov was released on November 30, 2000. With 24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Shostakovich: 24 Preludes and Fugues, Op. 87". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante by Dmitri Shostakovich, Konstantin Scherbakov having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance, Book 3: Sarabande (Rameau) | Leopold Godowsky, Konstantin Scherbakov | A Major | 0 | 11B | 98 BPM | ||
3 Pieces, Op. 15: Melodie meditative | Leopold Godowsky, Konstantin Scherbakov | F Major | 1 | 7B | 124 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Toccata | Aram Khachaturian, Karine Poghosyan | A♭ Minor | 2 | 1A | 104 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM | ||
6 Morceaux, Op. 19: No. 4. Nocturne in C-Sharp Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | D♭ Minor | 0 | 12A | 72 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM |