"Madama Butterfly / Act 1: Bimba dagli occhi pieni di malia" by Giacomo Puccini, Katia Ricciarelli, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli was released on June 18, 2021. Madama Butterfly / Act 1: Bimba dagli occhi pieni di malia appears to be safe for all ages as it is not explicit. The track order of this song in Katia Ricciarelli, Giacomo Puccini, Giuseppe Verdi's "GRANDI VOCI KATIA RICCIARELLI Una collana dedicata con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica" album is number 18 out of 19. On top of that, Netherlands appears to be the country where this track was created. Madama Butterfly / Act 1: Bimba dagli occhi pieni di malia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madama Butterfly / Act 1: Bimba dagli occhi pieni di malia by Giacomo Puccini, Katia Ricciarelli, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Lamberto Gardelli to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
Tosca: Tosca, Act I: Tre sbirri, una carrozza, "Te Deum" | Giacomo Puccini, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | C Minor | 4 | 5A | 92 BPM | ||
The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Così fan tutte, K. 588: Act I Scene 2: Terzet - Soave sia il vento (Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner | E Major | 2 | 12B | 154 BPM | ||
Puccini: Madama Butterfly, Act 1: "Vogliatemi bene, un bene piccolino" (Butterfly, Pinkerton) | Giacomo Puccini, Maria Callas, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 2 | 7B | 83 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |