"Short Ride in a Fast Machine" by John Adams, Bournemouth Symphony Orchestra, Marin Alsop was released on October 17, 2004. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 7 in Adams: Shaker Loops / Wound Dresser / Short Ride in A Fast Machine by John Adams, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Short Ride in a Fast Machine's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Short Ride in a Fast Machine by John Adams, Bournemouth Symphony Orchestra, Marin Alsop is Allegro (fast, quick, and bright), since this song has a tempo of 152 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 "A London Symphony": II. Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | F Major | 0 | 7B | 76 BPM | ||
Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM | ||
Walt Whitman, Op. 7 | Gustav Holst, Ulster Orchestra, Joann Falletta | A Major | 1 | 11B | 126 BPM | ||
Symphony No. 6 in B Minor, Op. 74, "Pathetique": Solitude [Again, as before, alone], Op. 73, No. 6 (trans. L. Stokowski) | Pyotr Ilyich Tchaikovsky, Bournemouth Symphony Orchestra, José Serebrier | B♭ Major | 0 | 6B | 45 BPM | ||
Hallelujah Junction: 3rd Movement | John Adams | C Minor | 3 | 5A | 113 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
Music for 18 Musicians: Section I | Steve Reich | D Major | 3 | 10B | 102 BPM | ||
Romeo and Juliet Suite: Montagues and Capulets | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | A Minor | 1 | 8A | 94 BPM | ||
A Shropshire Lad (Rhapsody for Orchestra) | George Butterworth, Neville Dilkes, English Sinfonia | F Minor | 1 | 4A | 87 BPM | ||
The Garden Is Becoming A Robe Room - 2004 Digital Remaster | Michael Nyman | E Minor | 3 | 9A | 73 BPM |