"Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. The duration of Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #15. Based on our statistics, Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Schoenberg: Gurre-Lieder, Pt. 3: "Deckel des Sarges klappert und klappt" (Bauer, Chorus) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | B Minor | 2 | 10A | 86 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Die Jakobsleiter (Jacob's Ladder): Du bist immerhin zufrieden mit dir (Gabriel, The Rebellious One) | Arnold Schoenberg, John Bröcheler, Glenn Winslade, Guy Renard, Hanno Müller-Brachmann, Thomas Harper, Laura Aikin, James Johnson, Rundfunkchor Berlin, SWR Symphony Orchestra, Michael Gielen | F Minor | 2 | 4A | 74 BPM | ||
Serenade, Op. 24: VI. Song Without Words | Arnold Schoenberg, Stephen Varcoe, Charles Neidich, Alan R. Kay, Peter Press, David Starobin, Rolf Schulte, Toby Appel, Fred Sherry, Twentieth Century Classics Ensemble, Robert Craft | C Major | 3 | 8B | 79 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM |