Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh

Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez
Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon
2:07 1998年1月1日
テンポ
123
キー
F♯ Major
キャメロットミュージックキー
2B

リンクを埋め込む

共有

Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh - Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez 情報

音響性
96%
ダンサビリティ
38%
エネルギー
10%
手段性
0%
活気
45%
ラウドネス
64%
話し言葉
5%
価数
7%
人気
ラウドネス
-21.486 dB

まとめ

"Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. The duration of Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #15. Based on our statistics, Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh テンポ

With Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.

Pierrot Lunaire, Op. 21 / Part 3: XV. Heimweh キー

F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song"Felix Mendelssohn, Daniel BarenboimG Minor06A82 BPM
15 Improvisations, FP 170: No. 13 in A Minor by Francis Poulenc, Lucille Chung15 Improvisations, FP 170: No. 13 in A MinorFrancis Poulenc, Lucille ChungC Major08B72 BPM
Prélude à l'après-midi d'un faune, L.86 by Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles DutoitPrélude à l'après-midi d'un faune, L.86Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles DutoitA♭ Minor01A90 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major by Johannes Brahms, Idil Biret16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat MajorJohannes Brahms, Idil BiretA♭ Minor31A111 BPM
Schoenberg: Gurre-Lieder, Pt. 3: Schoenberg: Gurre-Lieder, Pt. 3: "Deckel des Sarges klappert und klappt" (Bauer, Chorus)Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas QuasthoffB Minor210A86 BPM
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) by Cyril Scott, Richard Jenkinson, Benjamin FrithLullaby, Op. 57 No. 2 (Arr. for Cello & Piano)Cyril Scott, Richard Jenkinson, Benjamin FrithD Major010B91 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Die Jakobsleiter (Jacob's Ladder): Du bist immerhin zufrieden mit dir (Gabriel, The Rebellious One) by Arnold Schoenberg, John Bröcheler, Glenn Winslade, Guy Renard, Hanno Müller-Brachmann, Thomas Harper, Laura Aikin, James Johnson, Rundfunkchor Berlin, SWR Symphony Orchestra, Michael GielenDie Jakobsleiter (Jacob's Ladder): Du bist immerhin zufrieden mit dir (Gabriel, The Rebellious One)Arnold Schoenberg, John Bröcheler, Glenn Winslade, Guy Renard, Hanno Müller-Brachmann, Thomas Harper, Laura Aikin, James Johnson, Rundfunkchor Berlin, SWR Symphony Orchestra, Michael GielenF Minor24A74 BPM
Serenade, Op. 24: VI. Song Without Words by Arnold Schoenberg, Stephen Varcoe, Charles Neidich, Alan R. Kay, Peter Press, David Starobin, Rolf Schulte, Toby Appel, Fred Sherry, Twentieth Century Classics Ensemble, Robert CraftSerenade, Op. 24: VI. Song Without WordsArnold Schoenberg, Stephen Varcoe, Charles Neidich, Alan R. Kay, Peter Press, David Starobin, Rolf Schulte, Toby Appel, Fred Sherry, Twentieth Century Classics Ensemble, Robert CraftC Major38B79 BPM
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 by Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos BalintF Minor04A71 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records