"Die Jakobsleiter (Jacob's Ladder): Du bist immerhin zufrieden mit dir (Gabriel, The Rebellious One)" by Arnold Schoenberg, John Bröcheler, Glenn Winslade, Guy Renard, Hanno Müller-Brachmann, Thomas Harper, Laura Aikin, James Johnson, Rundfunkchor Berlin, SWR Symphony Orchestra, Michael Gielen was released on January 1, 2000. The duration of Die Jakobsleiter (Jacob's Ladder): Du bist immerhin zufrieden mit dir (Gabriel, The Rebellious One) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Die Jakobsleiter (Jacob's Ladder): Du bist immerhin zufrieden mit dir (Gabriel, The Rebellious One)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Gielen's "Mahler: Symphony No. 8 in E-Flat Major / Schoenberg: Jakobsleiter (Die)" album is number 4 out of 29. On top of that, Germany appears to be the country where this track was created. Die Jakobsleiter (Jacob's Ladder): Du bist immerhin zufrieden mit dir (Gabriel, The Rebellious One) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Jakobsleiter (Jacob's Ladder): Du bist immerhin zufrieden mit dir (Gabriel, The Rebellious One) by Arnold Schoenberg, John Bröcheler, Glenn Winslade, Guy Renard, Hanno Müller-Brachmann, Thomas Harper, Laura Aikin, James Johnson, Rundfunkchor Berlin, SWR Symphony Orchestra, Michael Gielen to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
3 Small Tone Poems: No. 3. Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 95 BPM | ||
6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance | Béla Bartók, Hélène Grimaud | B Minor | 0 | 10A | 91 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM |