Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera made "Denn wie man sich bettet, so liegt man" available on April 7, 2017. With this song being about 5 minutes long, at 4:30, "Denn wie man sich bettet, so liegt man" by Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weill: Wanted. Songs of Kurt Weill by Kurt Weill, Dagmar Peckova. The song's track number on the album is #10 out of 15 tracks. Based on our data, Czechia was the country where this track was produced or recorded. In terms of popularity, Denn wie man sich bettet, so liegt man is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Denn wie man sich bettet, so liegt man by Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Denn wie man sich bettet, so liegt man being at 115 テンポ, the half-time would be 58 テンポ with a double-time of 230 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
The Ragtime Dance (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | E♭ Major | 2 | 5B | 95 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 132 BPM | ||
Die Dreigroschenoper: Akt I, Kanonensong ("John war darunter und Jim war dabei") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg | D♭ Minor | 3 | 12A | 100 BPM | ||
Mahagonny Songspiel / Part 2 - Life in Mahagonny: 5. God In Mahagonny: Lento | Kurt Weill, Mary Thomas, Meriel Dickinson, Philip Langridge, Ian Partridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton | F Major | 3 | 7B | 125 BPM | ||
A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM |