György Ligeti, Joonas Ahonen, BIT20 Ensemble, Baldur Brönnimann made "Piano Concerto: I. Vivace molto ritmico e preciso" available on January 6, 2017. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in György Ligeti, Joonas Ahonen, Christian Poltéra, BIT20 Ensemble, Baldur Brönnimann's "Ligeti: Concertos" album is number 8 out of 12. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Piano Concerto: I. Vivace molto ritmico e preciso's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Piano Concerto: I. Vivace molto ritmico e preciso by György Ligeti, Joonas Ahonen, BIT20 Ensemble, Baldur Brönnimann to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Violin Sonata (version for clarinet and piano): II. Lento | Emma Johnson | E♭ Major | 0 | 5B | 73 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
Sept papillons: Papillons II | Kaija Saariaho, Alexis Descharmes | D Major | 1 | 10B | 169 BPM | ||
Études, Book 2: No. 6, Automne à Varsovie | György Ligeti, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Gaspard de la nuit, M.55: Ondine | Maurice Ravel, Pascal Rogé | D♭ Major | 0 | 3B | 113 BPM |