"Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd" by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam was released on January 31, 1995. The duration of Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 11 in Debussy-Caplet: Children's Corner Suite by Andre Caplet. Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
May Song | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Major | 1 | 12B | 79 BPM | ||
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Var. IV | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Symphonic Suite No. 2 "Pernambucana": IV. Frevo | César Guerra-Peixe, Goiás Philharmonic Orchestra, Neil Thomson | E♭ Major | 3 | 5B | 146 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Organ Concerto in G Minor, FP 93: II. Allegro giocoso | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 84 BPM | ||
Flute Concerto, FS 119: II. Allegretto, un poco | Carl Nielsen, Adam Walker, Bergen Philharmonic Orchestra, Edward Gardner | G Major | 1 | 9B | 92 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Postlude | Leonard Bernstein, Orchestre Symphonique de Montréal, Kent Nagano | E Minor | 0 | 9A | 86 BPM |