Ensemble Akadêmia, Françoise Lasserre made "Matthäus-Passion, BWV 244: No. 42, Aria "Gebt mir meinen Jesum wieder!"" available on February 5, 2015. The duration of Matthäus-Passion, BWV 244: No. 42, Aria "Gebt mir meinen Jesum wieder!" is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Matthäus-Passion, BWV 244: No. 42, Aria "Gebt mir meinen Jesum wieder!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Une passion: "Et ils me cloueront sur le bois"". In this album, this song's track order is #8. In terms of popularity, Matthäus-Passion, BWV 244: No. 42, Aria "Gebt mir meinen Jesum wieder!" is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Matthäus-Passion, BWV 244: No. 42, Aria "Gebt mir meinen Jesum wieder!" by Ensemble Akadêmia, Françoise Lasserre having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
Missa in D-Dur, KV194: Gloria | Chor und Orchester von St. Augustin, Andreas Pixner, Cornelia Horak, Klemens Sander, Martina Steffl, Alexander Kaimbacher | A Major | 2 | 11B | 90 BPM | ||
VII. Ei nun, mein Gott, so fall ich (Recitative & Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto Fürchte dich nicht | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Dies ist der Tag, Fk. 85: Choral: Heilger Geist in Himmels Throne | Wilhelm Friedemann Bach, Barbara Schlick, Claudia Schubert, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 80 BPM | ||
Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Te Deum: VI. Tu ad liberandum | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Gentle Waves | Alexander Därr | C Major | 0 | 8B | 174 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM |