Valentin Silvestrov, Tomasz Kamieniak's 'Melodies of the Moments, Op. 145: II. Barcarole' had a release date set for September 27, 2019. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Melodies of the Moments, Op. 145: II. Barcarole's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Silvestrov: Melodies of Silence". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Netherlands. Melodies of the Moments, Op. 145: II. Barcarole is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Melodies of the Moments, Op. 145: II. Barcarole by Valentin Silvestrov, Tomasz Kamieniak having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Alexander Borodin, Luke Faulkner | A Major | 1 | 11B | 72 BPM | ||
PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) - Upright Version | Alexander Scriabin, Julius Asal | E♭ Minor | 0 | 2A | 69 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
Lyric Pieces, Op. 57: VI. Hjemveop - Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 131 BPM | ||
Stille Musik: 2. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM |