"PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) - Upright Version" by Alexander Scriabin, Julius Asal was released on March 1, 2024. With PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) - Upright Version being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 2 in the song's album "Scriabin: PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) - Upright Version is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With PROLOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) - Upright Version by Alexander Scriabin, Julius Asal having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM | ||
Liszt: 6 Consolations, S. 172: V. Andantino | Franz Liszt, Mariam Batsashvili | E Major | 0 | 12B | 166 BPM | ||
Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
Lyric Pieces, Book III, Op. 43: No. 5, Erotikon | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Praise (After Israel in Egypt, HWV 54: Dank sei Dir, Herr) - Short Version | George Frideric Handel, Martin Stadtfeld | D♭ Minor | 0 | 12A | 81 BPM | ||
V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
33 Miniatures for Piano (Excerpts): No. 22, Grazioso | Giya Kancheli, Elisaveta Blumina | F Major | 0 | 7B | 0 BPM |