Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore made "Die schöne Müllerin, D. 795: II. Wohin?" available on January 1, 1972. The duration of Die schöne Müllerin, D. 795: II. Wohin? is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Die schöne Müllerin, D. 795: II. Wohin?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 20 in Die schöne Müllerin D795 by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Die schöne Müllerin, D. 795: II. Wohin? is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Die schöne Müllerin, D. 795: II. Wohin? by Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of Travel: II. Let Beauty Awake | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | D♭ Minor | 0 | 12A | 75 BPM | ||
Ständchen "Horch, horch, die Lerch!" D. 889 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Major | 4 | 6B | 96 BPM | ||
Liszt: 3 Sonetti di Petrarca, S. 270: III. "I' vidi in terra angelici costumi" | Franz Liszt, Diana Damrau | A♭ Major | 0 | 4B | 66 BPM | ||
Die Schöpfung Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Singt dem Herren alle Stimmen | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 1 | 4B | 66 BPM | ||
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 11. Nein, es ist nicht auszukommen | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | C Minor | 3 | 5A | 189 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: "Die Himmel erzählen die Ehre Gottes" | Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 3 | 8B | 110 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Die schöne Müllerin, Op. 25, D.795: II. Wohin? | Franz Schubert, Fritz Wunderlich, Hubert Giesen | C Minor | 2 | 5A | 128 BPM | ||
Sechs Lieder, Op. 48: Gruß, Op. 48/1 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | C Minor | 3 | 5A | 133 BPM |