"Die Schöpfung Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Singt dem Herren alle Stimmen" by Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist was released on January 1, 1991. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 15 out of 34. On top of that, Germany appears to be the country where this track was created. Die Schöpfung Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Singt dem Herren alle Stimmen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Singt dem Herren alle Stimmen by Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob. XXI:2: Pt. I, No.1: Die Vorstellung des Chaos (the Representation of Chaos) | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Minor | 0 | 5A | 70 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Divertimento for 2 Flutes and Cello (Bassoon) in C Major, Hob. IV:1 "London Trio No. 1": I. Allegro moderato | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal, Wolfgang Schultz, Gilbert Audin | C Major | 1 | 8B | 139 BPM | ||
Mazurka No.5 in B Flat, Op.7 No.1 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 115 BPM | ||
Symphony No. 51 in D Major: I. Allegro | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 1 | 10B | 77 BPM | ||
Guitar Quintet No. 9 in C Major, G. 453, "La Ritirata di Madrid": IV. 12 Variazioni, "La Ritirata di Madrid" (The Retreat from Madrid) | Luigi Boccherini, Zoltan Tokos, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
String Quartet in G Minor, Op. 32, No. 5: String Quartet in G Minor, Op. 32, No. 5: IV. Allegro giusto | Luigi Boccherini, Cuarteto Casals | G Minor | 2 | 6A | 129 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM |