"Livre posthume (1740): X. Basse de trompette ou de cromorne" by Louis Marchand, Jean-Baptiste Robin was released on July 1, 2001. With Livre posthume (1740): X. Basse de trompette ou de cromorne being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Louis Marchand, Jean-Baptiste Robin's "Louis Marchand: L'œuvre pour orgue" album is number 10 out of 23. In terms of popularity, Livre posthume (1740): X. Basse de trompette ou de cromorne is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Livre posthume (1740): X. Basse de trompette ou de cromorne by Louis Marchand, Jean-Baptiste Robin to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): IV. Menuet en trio | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 467 | Domenico Scarlatti, Scott Ross | E Major | 5 | 12B | 112 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): III. Sarabanda: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 1 | 2A | 113 BPM | ||
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Oster-Oratorium, BWV 249: Sinfonia | Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 174 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM |