"La Traviata, Act I: Brindisi: Libiamo ne' lieti calici" by Renata Scotto, Riccardo Muti, Alfredo Kraus, John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra was released on 2004. The duration of La Traviata, Act I: Brindisi: Libiamo ne' lieti calici is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. La Traviata, Act I: Brindisi: Libiamo ne' lieti calici's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "La Traviata, Act I: Brindisi: Libiamo ne' lieti calici" is a single. La Traviata, Act I: Brindisi: Libiamo ne' lieti calici is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Traviata, Act I: Brindisi: Libiamo ne' lieti calici by Renata Scotto, Riccardo Muti, Alfredo Kraus, John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Le nozze di Figaro, K. 492, Atto II Scena 2: No. 12, Arietta "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, René Jacobs | B♭ Major | 1 | 6B | 107 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Louise / Act 3: "Depuis le jour" | Gustave Charpentier, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 89 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
Die Zauberflöte, K.620: O zittre nicht (Act I) - excerpt | Wolfgang Amadeus Mozart, Sumi Jo, Uwe Heilmann, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 1 | 6B | 81 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM |