Rudolf Friml, Gus Kahn, Herbert Stothart, Vera Lynn, Bert Ambrose Orchestra's 'Now It Can Be Told' came out on April 23, 2001. The duration of Now It Can Be Told is about 3 minutes long, at 3:00. Based on our data, "Now It Can Be Told" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rudolf Friml, Herbert Stothart, Gus Kahn, Vera Lynn, Bert Ambrose Orchestra's "Lynn, Vera: The Early Years, Vol. 1 (1936-1939)" album is number 7 out of 20. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Now It Can Be Told is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Now It Can Be Told by Rudolf Friml, Gus Kahn, Herbert Stothart, Vera Lynn, Bert Ambrose Orchestra to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Merry Widow Waltz | Franz Lehár, Pro Musica Symphony Orchestra, Robert Ashley | F Major | 4 | 7B | 79 BPM | ||
Evera | Peter Deunov, Monte-Carlo Philharmonic Orchestra | C Major | 3 | 8B | 89 BPM | ||
The land of might-have-been | Jeremy Northam, Christopher Northam | E♭ Major | 1 | 5B | 77 BPM | ||
Finale (From "The Vagabond King") - Remastered - 1995 | Rudolf Friml, Brian Hooker, Post, Mario Lanza, Judith Raskin, Constantine Callinicos | B♭ Major | 4 | 6B | 171 BPM | ||
Foxtrot Medley: Chanson D'amour; The Old Fashioned Way; Can't Smile Without You | Wurlitzer Organ Of Tower Ballroom, Blackpool | F Major | 2 | 7B | 108 BPM | ||
The Floral Dance | Peter Dawson | C Major | 3 | 8B | 99 BPM | ||
Paper Doll | Windsor Davies, Don Estelle | D Major | 4 | 10B | 121 BPM | ||
Selection from a Night in Cairo, Call of the Flesh, The Pagan, Devil May Care and The Night Is Young | Rudolf Friml, Nacio Herb Brown, Ramon Novarro, Unknown Artist | C Major | 1 | 8B | 58 BPM | ||
Patience / Act 1: If you're anxious for to shine in the high aesthetic.. | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey | B♭ Major | 1 | 6B | 102 BPM | ||
I Can Give You the Starlight (From "The Dancing Years") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | D Minor | 0 | 7A | 70 BPM |