"Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur)" by Jean-Philippe Rameau, Les Arts Florissants, William Christie was released on October 14, 1991. With Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur) being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #10. Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur) by Jean-Philippe Rameau, Les Arts Florissants, William Christie having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sweeter than roses | Henry Purcell, Alfred Deller | E Minor | 1 | 9A | 99 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 3: No. 6, Aria, "Io le diro che l'amo … Tu le dirai che l'ami" (Serse, Arsamene) | George Frideric Handel, William Christie | F♯ Major | 1 | 2B | 75 BPM | ||
Les fêtes d'Hébé, RCT 41, Act II: Princesse, du destin craignez moins le courroux (2nd Version) | Jean-Philippe Rameau, Philippe Estèphe, Olivia Doray, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Concerto a cinque No. 5, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 3 | 1B | 109 BPM | ||
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Platée, Prologue Scène 1: Ariette "Charmant Bacchus" (Thespis) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Cyril Auvity | B♭ Major | 2 | 6B | 90 BPM | ||
Purcell : King Arthur : Act 3 "Tis I that have warm'd ye" [Soprano] "Tis love that has warm'd us" [Chorus] | William Christie | B♭ Major | 2 | 6B | 81 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Marie-Nicole Lemieux, Monte-Carlo Philharmonic Orchestra, Kazuki Yamada | F Major | 1 | 7B | 64 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM |