"Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b" by Hector Berlioz, Marie-Nicole Lemieux, Monte-Carlo Philharmonic Orchestra, Kazuki Yamada was released on September 8, 2023. The duration of Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Berlioz: Les nuits d'été: I. Villanelle and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b by Hector Berlioz, Marie-Nicole Lemieux, Monte-Carlo Philharmonic Orchestra, Kazuki Yamada is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "D'amour l'ardente flamme" (Marguerite) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 73 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Requiem, Op.48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | ||
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E Minor | 1 | 9A | 125 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM |