Pieter Jan Leusink, Bas Ramselaar, Ivanka Neeleman, Viola Da Gamba, Sytse Buwalda, Katherin Steddon, Marjon Strijk, Anneke Boeke, Knut Schoch, Johann Sebastian Bach, Freek Borstlap, Holland Boys Choir, Netherlands Bach Collegium made "I. Gottes Zeit Ist Die Allerbeste Zeit (Actus Tragicus) BWV 106, Coro : Glorie, Lob, Ehr Und Herrlichkeit" available on December 20, 2006. The duration of I. Gottes Zeit Ist Die Allerbeste Zeit (Actus Tragicus) BWV 106, Coro : Glorie, Lob, Ehr Und Herrlichkeit is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. I. Gottes Zeit Ist Die Allerbeste Zeit (Actus Tragicus) BWV 106, Coro : Glorie, Lob, Ehr Und Herrlichkeit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 18 in Bach Cantatas (Complete) Part: 12 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. I. Gottes Zeit Ist Die Allerbeste Zeit (Actus Tragicus) BWV 106, Coro : Glorie, Lob, Ehr Und Herrlichkeit is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of I. Gottes Zeit Ist Die Allerbeste Zeit (Actus Tragicus) BWV 106, Coro : Glorie, Lob, Ehr Und Herrlichkeit by Pieter Jan Leusink, Bas Ramselaar, Ivanka Neeleman, Viola Da Gamba, Sytse Buwalda, Katherin Steddon, Marjon Strijk, Anneke Boeke, Knut Schoch, Johann Sebastian Bach, Freek Borstlap, Holland Boys Choir, Netherlands Bach Collegium is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Biber: Requiem a 15 in A Major: III. Sequenz | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Magnificat: Sicut Erat in Principio | Nicola Porpora, San Francisco Girls Chorus | A♭ Minor | 1 | 1A | 0 BPM | ||
Wer nur den Lieben Gott lasst walten (Choral) | Felix Mendelssohn, Gesine Adler, GewandhausChor, Leipzig Mendelssohn Orchestra, Gregor Meyer | D♭ Major | 1 | 3B | 74 BPM | ||
Psalm 103 - Versus IV | Sietze de Vries | C Major | 0 | 8B | 136 BPM | ||
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: V. Ach ja, mein Gott | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | B♭ Major | 0 | 6B | 55 BPM | ||
Jesu, meine Freude, BuxWV 60: IV. Trotz dem alten Drachen | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Sebastian Myrus, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 91 BPM | ||
Galliard, "Heigh Ho Holiday" | Anthony Holborne, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 121 BPM |