"Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Abscheulicher! Wo eilst du hin?" by Ludwig van Beethoven, Nina Stemme, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado had its release date on June 13, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 16 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Mahler Chamber Orchestra, Lucerne Festival Orchestra, Claudio Abbado. The popularity of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Abscheulicher! Wo eilst du hin? is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Abscheulicher! Wo eilst du hin? by Ludwig van Beethoven, Nina Stemme, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is Vivace (lively and fast), since this song has a tempo of 165 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
L'elisir d'amore / Act 2: "Quanto amore!" - "Una tenera occhiatina" | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, English Chamber Orchestra, Richard Bonynge | E Major | 2 | 12B | 104 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Bald prangt, den Morgen zu verkünden" | Wolfgang Amadeus Mozart, Soloists of the Tölzer Knabenchor, Dorothea Röschmann, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 0 | 5B | 169 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Ma qual mai s'offre, o Dei - Fuggi crudele | Wolfgang Amadeus Mozart, Diana Damrau, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 171 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 1: Letter scene. "Puskai pogilabnu ya, no pryezhde" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | D♭ Major | 1 | 3B | 81 BPM | ||
Im Fruhling, D. 882 | Franz Schubert, Hanno Müller-Brachmann, Ulrich Eisenlohr | E Major | 0 | 12B | 90 BPM | ||
Catalani: La Wally, Act 1: "Ebben? Andrò sola e lontana" (Wally) | Alfredo Catalani, Lamberto Gardelli, Munich Radio Orchestra | E Major | 1 | 12B | 168 BPM | ||
Der Rauchfangkehrer: Basta, vincesti...Ah non lasciarmi (Fräule Nannette) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | D♭ Major | 1 | 3B | 87 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" - "V'è gente alla finestra" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mahler Chamber Orchestra, Yannick Nézet-Séguin | D Major | 2 | 10B | 130 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben | Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM |