"Der Rauchfangkehrer: Basta, vincesti...Ah non lasciarmi (Fräule Nannette)" by Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie was released on January 7, 2008. The duration of Der Rauchfangkehrer: Basta, vincesti...Ah non lasciarmi (Fräule Nannette) is about 3 minutes long, at 3:03. Based on our data, "Der Rauchfangkehrer: Basta, vincesti...Ah non lasciarmi (Fräule Nannette)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie's "Mozart, Righini, Salieri: Arie di bravura" album is number 9 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Der Rauchfangkehrer: Basta, vincesti...Ah non lasciarmi (Fräule Nannette) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Rauchfangkehrer: Basta, vincesti...Ah non lasciarmi (Fräule Nannette) by Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | ||
Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Gesu al limbo: Quando i beati istanti (Soprano, Tenor) | Antonio Salieri, Sonia Peruzzo, Nicola Yovanovitch, Maria Teresa Toso, Mario Scardoni, Cappella Musicale della Cattedrale di Verona, Alberto Turco | C Major | 3 | 8B | 83 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 171 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |