"Tosca, S. 69, Act I: Recondita armonia" by Giacomo Puccini, Hanspeter Gmür, Jose Perez, Nurnberger Symphoniker was released on October 9, 2021. The duration of Tosca, S. 69, Act I: Recondita armonia is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Tosca, S. 69, Act I: Recondita armonia's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Tosca, S. 69, Act I: Recondita armonia" is a single. Based on our statistics, Tosca, S. 69, Act I: Recondita armonia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tosca, S. 69, Act I: Recondita armonia by Giacomo Puccini, Hanspeter Gmür, Jose Perez, Nurnberger Symphoniker is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied Op. 41 Nª 1 (Cancion De Cuna) | Richard Strauss, Montserrat Caballé | E Major | 1 | 12B | 87 BPM | ||
Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | ||
Madama Butterfly / Act 1: Dovunque al mondo | Giacomo Puccini, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 126 BPM | ||
Songs of the Auvergne, Book I: 2. Baïlèro | Joseph Canteloube, Sara Macliver, Brett Kelly, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 92 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | ||
Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
La Bohème / Act 4: "O Mimì, tu più non torni" | Giacomo Puccini, Roberto Alagna, Simon Keenlyside, Roberto de Candia, Ildebrando D'Arcangelo, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | A Major | 1 | 11B | 109 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM |