"Manon: Suis-je gentille ainsi? ... Je marche sur tous les chemins" by June Anderson, Michel Plasson, Orchestre Du Capitole De Toulouse was released on 2004. The duration of Manon: Suis-je gentille ainsi? ... Je marche sur tous les chemins is about 3 minutes long, at 3:04. Based on our data, "Manon: Suis-je gentille ainsi? ... Je marche sur tous les chemins" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Manon: Suis-je gentille ainsi? ... Je marche sur tous les chemins" is a single. In terms of popularity, Manon: Suis-je gentille ainsi? ... Je marche sur tous les chemins is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Manon: Suis-je gentille ainsi? ... Je marche sur tous les chemins by June Anderson, Michel Plasson, Orchestre Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Bellini: Beatrice di Tenda: Chi giunge? - Beatrice, Ensemble - Act Two | Vincenzo Bellini, June Anderson, Ensemble | G Minor | 5 | 6A | 123 BPM | ||
La Bohème / Act 4: "Vecchia zimarra, senti" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | A♭ Major | 3 | 4B | 67 BPM | ||
Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Prologue - Picture 2: Long live Tsar Boris Feodorovich | Modest Mussorgsky, Konstantin Pluzhnikov, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | G Major | 4 | 9B | 105 BPM | ||
Hamlet - Acte II - 1er Tableau : Les Jardins Du Palais - Arioso : Dans Son Regard Plus Sombre (La Reine, Ophélie) | Ambroise Thomas, Carre Et Barbier, Denyce Graves, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 89 BPM | ||
Donizetti: La fille du régiment, Act 2: Dialogue. "Ah, voilà vos anciennes habitudes" (La Marquise, Sulpice, Marie, Hortensius) [Live] | Gaetano Donizetti, June Anderson, Antoine Garcin, Helia T'Hezan, Michel Trempont | D Major | 1 | 10B | 100 BPM |