György Ligeti, Pierre-Laurent Aimard, Irina Kataeva's '3 Pieces for 2 Pianos: I. Monument' came out on November 26, 1996. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in György Ligeti, Pierre-Laurent Aimard, Irina Kataeva, Zsigmond Szathmáry's "György Ligeti Edition, Vol. 6: キーboard Works" album is number 13 out of 22. 3 Pieces for 2 Pianos: I. Monument is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Pieces for 2 Pianos: I. Monument by György Ligeti, Pierre-Laurent Aimard, Irina Kataeva to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | F Minor | 4 | 4A | 109 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Arcadiana, Op. 12: I. Venezia notturna | Thomas Adès, Danish String Quartet | A♭ Major | 0 | 4B | 95 BPM | ||
Concerto grosso no.1 (1976-77): 5. Rondo: Agitato | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | F Minor | 4 | 4A | 138 BPM | ||
Sequenza III for female voice | Luciano Berio, Luisa Castellani | F Minor | 0 | 4A | 88 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | D♭ Major | 1 | 3B | 63 BPM | ||
Tristan und Isolde, WWV 90: Prelude | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | A Major | 1 | 11B | 86 BPM | ||
Sept papillons: Papillons I | Kaija Saariaho, Alexis Descharmes | D Major | 1 | 10B | 86 BPM |