"Madrigals, Book VII: Vaga su spina ascosa" by Rinaldo Alessandrini, Concerto Italiano, Valerio Contaldo, Raffaele Giordani, Salvo Vitale, Claudio Monteverdi, Gabriello Chiabrera was released on November 3, 2023. The duration of Madrigals, Book VII: Vaga su spina ascosa is about 3 minutes long, at 3:09. Based on our data, "Madrigals, Book VII: Vaga su spina ascosa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rinaldo Alessandrini, Concerto Italiano's "Monteverdi: Tutti I Madrigali" album is number 156 out of 215. On top of that, France appears to be the country where this track was created. In terms of popularity, Madrigals, Book VII: Vaga su spina ascosa is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Madrigals, Book VII: Vaga su spina ascosa by Rinaldo Alessandrini, Concerto Italiano, Valerio Contaldo, Raffaele Giordani, Salvo Vitale, Claudio Monteverdi, Gabriello Chiabrera to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Symphonia a 2 violini in F Major: I. Grave | Rinaldo Alessandrini, Concerto Italiano | A Major | 3 | 11B | 93 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Oboe Concerto In D Minor: 1. Andante e spiccato | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 144 BPM | ||
Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses | François Couperin, Blandine Verlet | A Major | 3 | 11B | 86 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Flute Concerto in C Minor, QV 5:38: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 1 | 3A | 95 BPM | ||
Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | E Minor | 1 | 9A | 103 BPM |