Louis Spohr, Michael Vier, Eelco von Jordis, William Pugh, Diane Jennings, Ion Bric, Martin Eichwalder, Drummond Walker, Ulrich Neuweiler, Helmut Kegler, Claudia Taha, Drew Abbott, Maria Kowollik, Bielefeld Philharmonic Orchestra, Geoffrey Moull's 'Faust, Act II (1852 Version): Nein, nein, nein' came out on January 1, 2000. The duration of Faust, Act II (1852 Version): Nein, nein, nein is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Faust, Act II (1852 Version): Nein, nein, nein's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Spohr: Faust (1852 Version)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Faust, Act II (1852 Version): Nein, nein, nein is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faust, Act II (1852 Version): Nein, nein, nein by Louis Spohr, Michael Vier, Eelco von Jordis, William Pugh, Diane Jennings, Ion Bric, Martin Eichwalder, Drummond Walker, Ulrich Neuweiler, Helmut Kegler, Claudia Taha, Drew Abbott, Maria Kowollik, Bielefeld Philharmonic Orchestra, Geoffrey Moull having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, Act I (1852 Version): Wohlan, hinweg aus diesem Sinnentaumel | Louis Spohr, Michael Vier, Eelco von Jordis, Bielefeld Philharmonic Orchestra, Geoffrey Moull | F♯ Major | 1 | 2B | 112 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 126 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM |