Louis Spohr, Michael Vier, Eelco von Jordis, Bielefeld Philharmonic Orchestra, Geoffrey Moull's 'Faust, Act I (1852 Version): Wohlan, hinweg aus diesem Sinnentaumel' had a release date set for January 1, 2000. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Faust, Act I (1852 Version): Wohlan, hinweg aus diesem Sinnentaumel's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Spohr: Faust (1852 Version)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Faust, Act I (1852 Version): Wohlan, hinweg aus diesem Sinnentaumel is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faust, Act I (1852 Version): Wohlan, hinweg aus diesem Sinnentaumel by Louis Spohr, Michael Vier, Eelco von Jordis, Bielefeld Philharmonic Orchestra, Geoffrey Moull having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 6 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 2 | 6A | 131 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andante grazioso) [Live] | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Orchestra della Svizzera Italiana | A Major | 1 | 11B | 130 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Piano Sonata No. 14 In C Minor, K. 457: I. Molto Allegro | Jenő Jandó, Wolfgang Amadeus Mozart | C Minor | 1 | 5A | 97 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |