"L'Orgue Mystique - Seventh Sunday after Pentecost: Prelude a l'Introit" by Charles Tournemire, David M Patrick was released on September 9, 1991. With L'Orgue Mystique - Seventh Sunday after Pentecost: Prelude a l'Introit being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David M Patrick's "Great European Organs No.28: Blackburn Cathedral" album is number 13 out of 18. On top of that, United Kingdom appears to be the country where this track was created. L'Orgue Mystique - Seventh Sunday after Pentecost: Prelude a l'Introit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Orgue Mystique - Seventh Sunday after Pentecost: Prelude a l'Introit by Charles Tournemire, David M Patrick to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tournemire: L'orgue mystique, Cycle de Pâques, Op. 56, Office No. 15 "Lætare": I. Prélude à l'introït | Charles Tournemire, Pierre Segond | E♭ Major | 0 | 5B | 70 BPM | ||
Comelico Pass | Michelle Legauffe | C Major | 3 | 8B | 64 BPM | ||
Poème mystique, op. 33: Epilogue | Charles Tournemire, Henriette Puig-Roget | D Major | 1 | 10B | 77 BPM | ||
Six Organ Sonatas Op. 65: Sonata 5: I. Andante | Felix Mendelssohn, Anders Eidsten Dahl | C Major | 1 | 8B | 74 BPM | ||
Harmony of Angels | LeoRoads | E Minor | 2 | 9A | 130 BPM | ||
Prose of the Consecration (Jerusalem et Sion Filiae) | Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 0 | 5A | 129 BPM | ||
25 Études faciles et progressives, Op. 100: No. 9, La chasse | Friedrich Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | ||
Suite Gothique, Op. 25: II. Menuet gothique. Allegro | Léon Boëllmann, Ian Tracey | C Major | 0 | 8B | 69 BPM | ||
Preludium Des-Dur Op. 28 Nr 15 | Frédéric Chopin, Gedymin Grubba | D♭ Major | 0 | 3B | 76 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM |