"Tercer Domingo Depués de Pascua: Aleluya: Oportebat (4º modo)" by Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard was released on January 1, 1962. The duration of Tercer Domingo Depués de Pascua: Aleluya: Oportebat (4º modo) is about 3 minutes long, at 3:13. Based on our data, "Tercer Domingo Depués de Pascua: Aleluya: Oportebat (4º modo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 14 in Chant Gregorien: Misas del Tiempo Pascual by Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard. The popularity of Tercer Domingo Depués de Pascua: Aleluya: Oportebat (4º modo) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tercer Domingo Depués de Pascua: Aleluya: Oportebat (4º modo) by Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard is Vivace (lively and fast), since this song has a tempo of 169 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Del Común de una Vírgen, Responsorio de Maitines: Haec Est Virgo Sapiens | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 134 BPM | ||
Hymnus: Puer Natus In Betheleem | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Major | 1 | 3B | 69 BPM | ||
Del Kyriale: Kyrie del Tono II | Pro Musica Gregoriana, Susana Imbern | A Major | 1 | 11B | 81 BPM | ||
Offertorium: Benedixisti Domine | Marek Klein | F Minor | 0 | 4A | 111 BPM | ||
Aurora Surgit Aurea | Benedyktyni Opactwa Tynieckiego | E Major | 1 | 12B | 81 BPM | ||
Responsorium I: Nobilissima viriditas 39 Item de virginibus (VI) | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori | D Major | 0 | 10B | 81 BPM | ||
Ad Matutinum: Lectio. Et satis est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | F Major | 3 | 7B | 137 BPM | ||
Ecce Adest | Pope Gregorius, Ensemble de Venasque | E♭ Minor | 0 | 2A | 75 BPM | ||
16 Morning Prayers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | G Major | 2 | 9B | 77 BPM | ||
Psaume Responsorial De L'Ascension | Monks Of The Benedictine Abbey Of Calcat | E♭ Major | 2 | 5B | 105 BPM |