"Hymnus: Puer Natus In Betheleem" by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo was released on December 31, 1995. The duration of Hymnus: Puer Natus In Betheleem is about 3 minutes long, at 3:05. Based on our data, "Hymnus: Puer Natus In Betheleem" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 25 in Cantate Domino, Alleluya by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Hymnus: Puer Natus In Betheleem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hymnus: Puer Natus In Betheleem by Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canto Gregoriano Jueves Santo, Misa y Responsos de las Tinieblas: Ofertorio: DEXTERA DOMINI (2º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A♭ Major | 1 | 4B | 80 BPM | ||
in I. nocturno: Antiphon - Astiterunt reges terrae/Psalm - Quare fremuerunt gentes (Ps 2)/Antiphon - Astiterunt reges terrae - Voice | Carlo Gesualdo, Andrew Parrott, Taverner Consort & Choir | A Major | 0 | 11B | 132 BPM | ||
Feria quarta: Introit. Venite benedicti | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | E Minor | 0 | 9A | 72 BPM | ||
Responsorium: Domun Tuam, Modo VI | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | G Major | 1 | 9B | 63 BPM | ||
Veni Veni Emmanuel | The Schola Cantorum of St. John XXIII Parish | C Major | 2 | 8B | 79 BPM | ||
Segundo Domingo Después de Pascua: Comunión: Ego Sum Pastor Bonus (2º modo) | Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | F Minor | 1 | 4A | 93 BPM | ||
Misa del Día: Antífona: ECCE NOMEN DOMINI (5º modo) - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A♭ Minor | 2 | 1A | 84 BPM | ||
Ars Longa Vita Brevis | Anki Svan, Trio al Dente | F Major | 2 | 7B | 134 BPM | ||
Del Kyriale: Agnus Dei del Tono IV | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 68 BPM | ||
Magnificat cum Alleluia | Pope Gregorius, Ensemble de Venasque | A Minor | 0 | 8A | 71 BPM |