St. Petersburg Philharmonic Orchestra, Mikhail Rudy, Mariss Jansons's 'Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)' came out on February 1, 2011. The duration of Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Drivetime Classics, so we believe that "Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)" is a single. In terms of popularity, Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) by St. Petersburg Philharmonic Orchestra, Mikhail Rudy, Mariss Jansons is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Prince Igor (Knyaz Igor): Act III: Polovtsian March | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 3 | 4B | 128 BPM | ||
Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 91 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Fountains Of Rome, P. 106: 4. The Villa Medici Fountain At Sunset | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 74 BPM | ||
Gayane Suite: Ayesha's Dance | Aram Khachaturian, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | D Major | 1 | 10B | 172 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |