"Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato" by Edvard Grieg, Pascal Devoyon/London Philharmonic Orchestra/David Nolan/Jerzy Maksymiuk, Jerzy Maksymiuk, London Philharmonic Orchestra was released on September 1, 2008. Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato appears to be safe for all ages as it is not explicit. The track order of this song in Pascal Devoyon/Jerzy Maksymiuk, Jerzy Maksymiuk's "Grieg & Schumann: Piano Concertos" album is number 4 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato by Edvard Grieg, Pascal Devoyon/London Philharmonic Orchestra/David Nolan/Jerzy Maksymiuk, Jerzy Maksymiuk, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue | Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington | C Major | 1 | 8B | 68 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto | Karoly Botvay | G Minor | 0 | 6A | 87 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Piano Sonata No. 9: II. Lento | Anis Fuleihan, Tatiana Primak-Khoury | B Minor | 0 | 10A | 75 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | C Minor | 2 | 5A | 166 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM |